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Padres
Padres
Padres begins with a fabulous shot. Instead of two parents, we see two cats, one black and one white. Without exaggeration, one could say that these cats are the first "parents" of the ...
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O parto
O parto
Documentary based on archive material focusing on the dictatorial regimen in Portugal and its fall with the "Revolução dos Cravos" (Carnation Revolution), in 1974, after 48 years of ...
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What Shall I Do With This Sword?
What Shall I Do With This Sword?
By cross-editing footage of Portuguese workers protesting against NATO forces and various movies, Monteiro shows how one 'sword' can confront the army.
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As Armas e o Povo
As Armas e o Povo
Film directors with hand-held cameras went to the streets of Lisbon from April 25 to May 1, 1974, registering interviews and political events of the Portuguese "Carnations Revolution", ...
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Brandos Costumes
Brandos Costumes
A portrait of the everyday life of a typical middle-class family in parallel with the fall of the "Estado Novo", the 48-year dictatorship led by Salazar. The daughters' conflicts and ...
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Benilde or the Virgin Mother
Benilde or the Virgin Mother
A young girl, Benilde, so protected by her religious family that she seemingly knows nothing about procreation, insists that her mysterious pregnancy is a miracle; however, her ...
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Adeus, Até ao Meu Regresso
Adeus, Até ao Meu Regresso
The Revolution also put an end to the colonial wars in Guinea Bissau, Mozambique and Angola. Vasconcelos recounts the absurdity of this bitter conflict. - Cinema du réel
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D. Jaime ou a Noite Portuguesa
D. Jaime ou a Noite Portuguesa
This is one of Noronha da Costa's films in which the "fictional" component is most visible. D. Jaime or the Portuguese Night, like the rest of Noronha da Costa's films, is part of the ...
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Falamos de Rio de Onor
Falamos de Rio de Onor
A borderland village of Trás-os-Montes, 27 km away from Bragança, Rio de Onor preserved - due to its isolated location - the old communitarian practices, of farmers and shepherds, that ...
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O Mal-Amado
O Mal-Amado
The Soares are a bourgeois couple, living in a good neighbourhood of Lisbon, but João, their son, is not integrating well in that pattern. He attends more political meetings than ...
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Sofia e a Educação Sexual
Sofia e a Educação Sexual
After her mother's death, Sofia returns from a Swiss college to her family's luxurious villa, in Cascais. Through the relashionship between her father, Henrique, and his lover Laura, ...
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Jaime
Jaime
Jaime, a poem of suffering and loneliness, describes the existence and pictorial work of a man isolated in a psychiatric hospital.
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One Hundred Times Lost
One Hundred Times Lost
Artur is in Lisbon for his holidays, wonders aimlessly, and is picked up by Rui, a young man who is into marketing and advertising. Joana is in Lisbon for holidays, but also trying to ...
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Eusébio, The Black Panther
Eusébio, The Black Panther
From the boy who played on the streets to the man who won the Golden Ball, "Eusébio, a Pantera Negra" shows the life of the portuguese football idol, since the first kicks, passing ...
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The Vows
The Vows
The gritty lives of Portuguese villagers are shown in this action drama which shows the interaction between a married couple who have taken an unusual vow of celibacy and a gang of ...
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Just Pedro
Just Pedro
Pedro is a young agricultural worker who gets caught in the middle of a fight between two families, kills a man and escapes to the capital. He can't find work,resorts to begging, but ...
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Fragments of an Alms-Film
Fragments of an Alms-Film
Maria works in a German umbrella factory as the foreman of the production sector. João Lucas has given up on living a normal life and practically lives in bed, in the midst of green ...
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Past and Present
Past and Present
This is an intriguing avant-garde look at what motivates the leisurely classes in Portugal, for better or worse, by director Manoel de Oliveira. Set in a spacious country home peopled ...
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Sophia de Mello Breyner Andresen
Sophia de Mello Breyner Andresen
“I think my film represents above all the proof to those who want to understand and accept it, that poetry can’t be filmed, that it is useless to try” - João César Monteiro